9/20/2023 0 Comments Vernissage musik![]() ![]() Nervesystems oscillate between conflicted twosomes: credit and credits, dispo and disco, poverty and poetry, lamination and lamentation, formal and form etc. All artists know that splits, where desperation and success are equally suspicious and debated in the system of professional individualists. So what about the values and merits in a work field that is framed and characterized by recordsums for (dead) artists work, romantic images of the impoverished free artist and statistics on precarious economic artists realities? The role of artists is chameleon-like determined by the environment – as bohemian, provocateur, jester, philosopher or celebrated star and investment source. Feel free to face and file the fiscal fiasco. Administration and clerical functioning itself remains beyond dispute, a civic duty in rational times. Blurry perspective, but fair enough that the monetary debacle must be properly managed, documented and recorded. Olympicish competitions on grants and fundings sparkle on the horizon. ![]() While cultural budgets are spent conserving existing cultural facilities, most artists themselves have to see how they make ends meet, make a living, make sense and make make make. The moment of poetry in orderliness and the despair within a mess is the atmospheric background-noise of this group exhibition. This exhibition unfolds the impact of bashful book-keeping home performances and similar borderline activities within a money-focussed and bureaucratic social system. In that sense we fokus on the hidden and suppressed and follow the stultifying or inspiring routines when the self-employed and selfxploitated have to strip down the value of their work to numbers and lists. Yes, money, money money, or as Rolf Dieter Brinkmann* once spitted in a recorded statement: „Immer mit dem Scheissgeld, immer Probleme mit dem Scheissgeld.“. Lothringer13 Halle dedicates time and space to the omnipresent and essential: money. New Year, 2019, best wishes, good intentions and old tasks – again the accounts have to get accompished. Vorträge: Michael Hirsch and Kilian Jörg \ Musik: Carl Oesterhelt & Ensemble für synkretische Musik Some passages with Masako made the association of the steep, winding road with the rhythmic play of light and shadows of the forest resound as sound images in the head.Allen Sekula \ Cyril Blažo \ Daniel Eatock \ Gabriele Obermaier/Ralf Homann \ Kasia Fudakowski \ M+M \ Nigel Shafran \ Peter Ravn \ Philipp Messner \ Pind \ Prill/Vieceli/Cremers \ Ruth Wolf-Rehfeldt \ Stefan Weigl \ Superflex Back then, maybe 25 years ago, I heard in the car recordings of piano-brass duos by Paul Hindemith (Sonates for Brass and Piano – Bläser-Sonaten) with Glenn Gould on piano. While listening to the 2nd piece, where I play alto horn, I had Déjà-vu impressions and pictures of a car trip to the monastery Rottenbuch (Bavaria) were evident. Please also look at the concert videos of the duo Schindler & Ohta by Phips Fischer Thanks for support to Wolfgang Obrecht, Phips Fischer & Specki, KP Mendler, Lothar Chaillié / Kontrapunkt Klavierwerkstatt for preparing my Pleyel Piano & the audience of the vernissage concert Mixed & mastered by Wolfgang Obrecht/Tonstudio RichArt, MunichĬompositions by Masako Ohta & Udo Schindler (GEMA)Ĭover photo by Udo Schindler – object wasser-water by Ulrich ‚Phips‘ FischerĮxecutive Production by Ernesto Rodrigues Live recording December 06 th, 2019 at Salon für Klang+Kunst Krailling/Munichīy Udo Schindler (arch-musik) as part of the exhibition by Ulrich ‚Phips‘ Fischer: monitorobjekte The two title names are borrowed from Kenzaburō Ōe ( 大江 健三郎 ) – The Flaming Green Tree ![]()
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